Selected Conference Presentations

“Essen and Anthology of Chinese Folksongs Contour Heuristics (EACCH).”
Research presentation, AMS/NEH Summer Institute, Studying Early Music with Computers, New York, NY, 2026.

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“Meter, Syncopation, and Rhythmic Reproduction.”
Collaborative research presentation, David Huron Memorial Workshop and Research Retreat, Northwestern University, Evanston, IL, 2026.

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“Exploring Expressive Timing in Music Perception: Cross-Cultural Implications for Enjoyment and Emotional Arousal.”
SEMPRE Postgraduate and Early Career Researchers Conference, Faculty of Music, University of Cambridge and online, 2026.

 

“The Musical Salon of John Singer Sargent: Fauré, Loeffler, and the American Imagination.”
Forging an American Musical Identity Conference, Foundation for the Advancement of Music and the Arts, Music in Gotham, the CUNY Graduate Center, and the New York Public Library for the Performing Arts, New York, NY, 2026.

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“Algorithmic Resistance: Playlisting, Protest Music, and the Politics of Visibility.”
Popular Music Study Group, Joint Annual Meeting of the American Musicological Society and Society for Music Theory, Minneapolis, MN, 2025.

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“Musical Gestures and Expression in Bridgerton: Love, Humor, and Introspection in Film Scoring.”
Music and Media Study Group and Film and Multimedia Interest Group, Joint Annual Meeting of the American Musicological Society and Society for Music Theory, Minneapolis, MN, 2025.

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“Expressive Timing and Emotional Response in East Asian Popular Music: A Cross-Cultural Computational Analysis.”
Music Theories, Histories, Analysis, and the Musical Cultures of Asia, Analytical Approaches to World Musics Special Topics Symposium, Cornell University, Ithaca, NY, 2025.